In all his clean-shaved, double-breasted grandeur, Tim Gunn could make a designer question their entire existence with an only slightly perceptible side-eye at their dressed mannequin. Then, of course, there was workroom mentor Tim Gunn. Most likely, though, it was exclusive access to the secret deliberations amongst those I viewed as sovereigns of aesthetics and elegance that fueled my addiction.Īmong the panel of judges that season was designer Michael Kors, whose Rockefeller Center store was one of my favorite places to window shop at as a kid Nina Garcia, fashion editor at Marie Claire magazine, with the luscious, L’Oréal-commercial-level curtain bangs, and the runway-owning, beauty-honing Heidi Klum who regularly drew “Ooos,” “Ahhs,” and likely some “Why haven’t I thought of that?”s when she approached the seated contestants in a stunning new get-up to announce the next challenge. The workspace is utter and complete chaos, but out of the carnage emerges whatever number of brilliantly dressed models strutting past the panel of judges with such nonchalance that you almost forget they were zipped in just minutes before in the dark wings backstage. During those final hours in the studio, fingers are pricked by sewing needles, multicolored thread is held in between teeth like floss and fabric scraps fly through the air like confetti in true New Year's Day fashion. Or maybe it was the second-hand, heart-pumping adrenaline. Perhaps he was the one who got me hooked. Costa’s personality was understated he was never the loudest, most stressed, most rambunctious member of the crew, but his quiet gracefulness demanded attention during each final show. He boasted a broad bank of technical skills that were almost too acute to be noticed. His designs had an air of effortlessness that can only be achieved with an exorbitant amount of effort. This particular season, Fabio Costa, the future runner-up, was my favorite. When Tim Gunn announces the formidable “Your time starts now!” in his iconic, velvety bravado, the contestants appear to defy the first law of thermodynamics and make something out of nothing. As a second grader with a new paper doll fashion design set from F.A.O Schwarz, I had turned to “Project Runway” for the ingenuity and fervor I hoped to harness on my construction paper and glitter: elegant drapery, intricate bodices, exquisite tailoring … all brilliantly executed before the lights dim for the start of the runway show. ![]() Nobody would call the aforementioned yellow dress simple or boring, but it hit the right amount of “enough.I hopped on the “Project Runway” bandwagon in 2012. Just that the looks that require fewer adjectives to describe them have that movie star quality one associates with Hepburn. That doesn’t mean Siriano should be a minimalist. Every client, every store.” Still, watching the collection unfold, the moments of quiet and restraint-at least, by Siriano’s standards-were by far the most compelling. And he says that works for his business: “All we are selling is evening wear. While he can do politician-appropriate tailoring, he uses the catwalk to showcase his other skill sets. Siriano is dedicated to providing a fantastical escape through his runway shows. The flowers of Hepburn’s garden inspired the clothes as much as she did, through graphic rose prints and rosettes. The venue was filled with pink, purple, and white roses to drive home the effect. ![]() ![]() So it’s a little darker, a little sexier,” Siriano said backstage. “We’re calling it Audrey Hepburn’s rose garden, but at midnight or 2 a.m. A photo of the actor dressed as Holly Golightly in one of the aforementioned hats greeted each guest. If that makes you think of Audrey Hepburn, then you and Siriano think alike. “I was like ‘are we alive everybody?’” The sharp burgundy suit that Harris wore was quite different from the clothes paraded down the catwalk on Thursday evening, which ranged from a sunshine yellow bubble-hemmed and -shouldered midi dress to a cutout tuxedo jacket with tails in the front worn only with tights and a saucer hat. train to Washington, D.C., did the fitting, came back and did 34 fittings for this show,” Siriano said backstage. He dressed several stars for the Grammys on Sunday, outfitted Vice President Kamala Harris for the State of the Union address on Tuesday night, and staged a 56-look runway show at Gotham Hall in New York on Thursday.
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